Skip navigation.
New Mexico State University
Graduate Catalog
2012-2013

ART

Department website: www.nmsu.edu/~artdept

(575) 646-1705

artdept@nmsu.edu

Thom Brown, department head, M.F.A. (University of Pennsylvania) – painting and drawing; J. Barello, M.F.A. (University of Wisconsin-Milwaukee) – metals; T. Cole-Dorn, M.F.A. (New Mexico State University) – painting and drawing; C. Cully, M.F.A. (University of Arizona) – painting and drawing; P. Fine, M.F.A. (University of Arizona) – graphic design; J. Fitzsimmons, M.A. (New Mexico State University) – art history; M. Goehring, Ph.D. (Case Western) – art history; S. Marinas, M.A. Art Conservation (Universidad Complutense de Madrid, Spain) and M.A. Anthropology (New Mexico State University) – Art Conservator; K. Reka, M.F.A. (Indiana University) – graphic design; R. Stevens, M.F.A. (Syracuse University) – sculpture; D. Taylor, M.F.A. (University of Oregon) – photography; S. Taylor, Ph.D. (Boston University) – art history; P. Thayer; Ph.D. (University of Pennsylvania) – Gallery Director; E. Zarur, M.F.A., Ph.D. (University of Georgia) – art history; A. Jaffe, M.F.A. (University of Montana-Missoula) – professor emeritus; J. Rose, M.F.A. (Yale University) – professor emeritus; J. St. Aubyn, M.F.A. (University of New Mexico) – professor emeritus; L. Ocepek, M.F.A. (University of Iowa) – professor emeritus

DEGREE: Master of Arts
MAJOR: Art

DEGREE: Master of Fine Arts

The Master of Fine Arts is offered in studio art (ceramics, graphic design, jewelry and metalsmithing, painting and drawing, photography, and sculpture). The Master of Arts degree with an emphasis in art history is also offered.

DEGREE: Master of Fine Arts
Emphasis: Studio

Art Requirements for an M.F.A. degree with an emphasis in studio art include a minimum of 60 credits of academic work, usually completed in three years. Of those 60 credits, 24 must be taken in the field of the declared major; 9 in minor studio areas; 9 in art history; 6 in non-art courses numbered 450 or above; 6 in thesis work; 3 in Graduate Seminar: Art Theory, Criticism, Historiography, and a minimum of 3 in ART 596 or studio elective.

Program Requirements (60 cr.)

Major studio courses 24 cr.
Minor studio courses 9 cr.
Art history courses 9 cr.
Non-art courses 6 cr.
Studio thesis 6 cr.
Graduate Seminar: Art Theory, Criticism, Historiography (ART 579) 3 cr.
Art 596 or studio elective 3 cr.

Semester Reviews

At the end of the first two semesters, each graduate student's creative production will be reviewed by the assembled faculty. Participation in semester reviews are required for successful portfolio completion of graduate level studio courses including: ART 550, 555, 560, 565, 570, 575, 580, 581, 585, 590, 595, 598 or other graduate level studio courses as determined the graduate advisor.

Thesis Committee

At the end of the third semester and after a successful candidacy the student will propose his or her thesis committee, consisting of three art department graduate faculty members, and one faculty member from outside the department.

Candidacy

Candidacy occurs during the third semester of study in residency. Candidacy consists of a formal review of the student's work by the full faculty. If successfully completed, the faculty will advance the student to her or his final three semesters of study. If the student is not advanced by the faculty candidacy may be repeated one additional time at the end of the next consecutive semester. The final three semesters of thesis work will commence from that point. Students who are not successful in their second candidacy attempt will be disenrolled from the M.F.A program.

Thesis Exhibition

The studio thesis will culminate in an exhibition of the candidate's creative works and a written thesis statement. A successful oral examination and defense of the thesis and exhibition is required for graduation. Two copies of the thesis and a photographic record of the final exhibition are required; other requirements may be determined by the graduate faculty. Students who do not satisfactorily complete their oral examination may not participate in the thesis exhibition.

Thesis exhibitions for the M.F.A. degree will be held in the spring semester in the University Art Gallery. Students who wish to graduate at mid-year are obligated to find an exhibition space other than the NMSU Art Gallery that meets with the approval of the graduate committee. In this case the student is responsible for making all arrangements for the thesis exhibition.

Admission

Admission to the M.F.A. program in studio art is based on an accredited B.A., B.S., or B.F.A. degree (or equivalent) with a major in art, including at least 45 credits in studio art courses and 15 credits in art history. Any deficiencies must be corrected by undergraduate course work to be completed before advancement to candidacy. Exceptions to these requirements will be considered by the area head and graduate committee. Students with an earned M.A. may be considered with the consent of the faculty, for advancement to candidacy for the M.F.A. degree upon completion of one semester or 9 credits in residence at NMSU. The number of transferable credits from a previous graduate program will be determined by the department head and the graduate advisor before consideration for candidacy.

All applicants for admission to the M.F.A. program in studio art must submit

  1. A CD/DVD with a PDF or jpeg portfolio of 20 images and an image list that identifies each piece by title, date, media and size.
  2. A written statement of intent, including scholarly and professional goals and the applicant's interest in studying at NMSU
  3. Letters of recommendation from three qualified people of the applicant's choice
  4. Official undergraduate transcripts

Admission to the M.F.A. program in studio art will be decided upon consideration of all materials. The portfolio, statement, and letters of recommendation should be sent to the head of the Department of Art. Portfolio guidelines are available with Departmental application forms. Department and Graduate School applications and undergraduate transcripts are sent directly to the Graduate School. The majority of teaching assistantships and studio spaces are awarded in the fall. Psychometric test scores are not required.

DEGREE: Master of Arts
Emphasis: Art History

An emphasis in art history requires a minimum of 33 credits of art history courses, 6 of which may be thesis credits. Of the required minimum, 6 credits of related courses may be substituted with the approval of the department head and the student's major advisor.

Reading proficiency in a foreign language is also required and should be acquired prior to the beginning of thesis research for which it will be employed. A reading proficiency exam will be arranged in conjunction with the major advisor. Admission to the M.A. program with an emphasis in art history is based on an accredited B.A. or B.S. degree (or equivalent) with a major in art history, including at least 33 art history credits and 9 studio credits. Undergraduate deficiencies must be completed before advancement to candidacy.

Candidacy and Thesis Committee Selection

Upon satisfactory completion of all required course work (except thesis credits) and foreign language requirement, the student will prepare a thesis proposal under the direction of the major professor. The student will then select the second member of his or her thesis committee and submit the proposal to this committee member for approval. With the backing of these two advisors, the student must then present the proposal to the department faculty. After a successful presentation, the student will advance to candidacy and select the third committee member, who may be from outside the art department.

Admission

All applicants for admission to the M.A. program must submit

  1. A polished undergraduate research paper,
  2. A written statement of intent,
  3. Letters of recommendation from three qualified people of the applicant's choice, and
  4. Official undergraduate transcripts.

Research papers, statement of intent, and letters of recommendation should be sent to the Department of Art. Applications and official undergraduate transcripts should be sent directly to the Graduate School. Psychometric test scores are not required.

Application Deadline

The final submission date for all application materials and teaching assistantship applications is January 20 for the fall and spring semesters.

ART

ART 450. Drawing Workshop 3 cr.
Critique class on drawings done outside of class. Emphasis on development of conceptual and technical skills. Prerequisite(s): ART 350.
ART 451. Time-Based Media 3 cr.
Advance figure drawing class with emphasis on developing technical and conceptual skills. Prerequisite: ART 350. May be repeated up to 27 credits. Restricted to ART majors.
ART 454. Design Discourse 3 cr.
Discussion of issues related to visual communications and graphic design. Research and semester-long studio project supplement readings and discussion. May be repeated for a maximum of 6 credits. Prerequisite(s): ART 356.
ART 455. Advanced Graphic Design: Conceptual Development and Professional Practice 3 cr. (2+4P)
Advanced graphic design projects in graphic form, typographic design, and comprehensive layouts, with emphasis on conceptual development and professional practices. May be repeated to a maximum of 6 credits. Prerequisite(s): ART 356.
ART 456. Advanced Graphic Design: Portfolio Development and Professional Practice 3 cr. (2+4P)
Advanced graphic design projects with an emphasis on conceptual development, portfolio preparation, and professional practices. Prerequisite: ART 455. May be repeated for a maximum of 12 credits. Restricted to majors.
ART 457. Advanced Typographic Design and the Computer 3 cr.
Advanced projects exploring use of typography in visual communication. Electronic and conventional print applications emphasized. May be repeated for a maximum of 6 credits. Prerequisite(s): ART 255 and ART 256.
ART 458. The New Mexico Studio of Design 3 cr.
An advanced graphic design studio providing a design service for nonprofit community organizations. Client-based projects produced by students from concept to completion. May be repeated for a maximum of 6 credits. Prerequisite(s): ART 355.
ART 459. Advanced Digital Illustration 3 cr. (2+4P)
Illustration course for graphic designers emphasizing the creation of editorial, informational, and cultural illustrations, using vector and bitmap computer programs. Prerequisite: ART 359, or consent of instructor. May be repeated for a maximum of 6 credits.
ART 460. Painting Workshop 3 cr.
Media, materials and advanced technical problems of contemporary painters. May be taken up to 6 credits. Prerequisite(s): ART 350 and ART 361.
ART 461. Painting Workshop II 3 cr. (2+4P)
Advanced issues in contemporary painting. May be repeated for a maximum of 6 credits. Restricted to majors. Prerequisite(s): ART 460.
ART 465. Sculpture Workshop 3-6 cr. (2+4P)
Development of content and personal vision via self-styled projects. Emphasis on critical self-evaluation. Contemporary topics and research presentation furthering the development of a cohesive body of work. Prerequisite: ART 366. May be repeated for a maximum of 12 credits.
ART 470. Studio Photography 3 cr.
A critique and reading course in which students pursue independent work. Emphasis placed on portfolio production and professional practice. Consent of instructor required.
ART 471. Large Format Photography and Lighting 3 cr. (2+4P)
Introduction to the 4x5 view camera, medium format cameras, Zone system and artificial lighting. Emphasis on refinement of technical process and critical thinking. Prerequisite: ART 271. May be repeated up to 6 credits. Restricted to ART majors.
ART 473. Photography Workshop 3-6 cr.
Project based critique seminar for advanced BFA students. Regular critique sessions and readings required. Participation in the annual BFA exhibition for graduating seniors required.
ART 474. Advanced Ceramic Tile 3 cr. (2+4P)
Instruction in a variety of ceramic tile-making techniques with considerable exploration of surface finishing. Assignments focus on tile paintings and murals with an emphasis on content. Prerequisite: ART 374. May be repeated for a maximum of 9 credits.
ART 475. Ceramics Workshop 3-6 cr. (2+4P)
Continuation of ART 375. Prerequisite: ART 375. May be repeated for 18 credits.
ART 476. Advanced Museum/Gallery Research Internship 1-9 cr.
Advanced research internship in museum or gallery. Requirements determined by instructor in cooperation with supervising museum/gallery professional. For art history credit. Prerequisite: ART 376 and consent of instructor. May be repeated for a maximum of 9 credits. Course may not be audited.
ART 477. Independent Research Problems in Art History 1-9 cr.
Advanced research on special problems to be conducted under supervision of art history faculty. May be taken up to 12 credits. Consent of instructor required. Prerequisite(s): ART 295G, ART 296G, ART 297 and one 300 level art history course and consent of instructor.
ART 478. Seminar: Selected Topics in Art History 3 cr.
Reading, research, and discussion of advanced problems. May be taken up to 12 credits. Consent of instructor required. Prerequisite(s): ART 295G, ART 296G, ART 297 and one 300 level art history course and consent of instructor.
ART 479. Art Theory, Criticism, and Historiography 3 cr.
Theories and methodologies in art history and art criticism. Consent of instructor required. Prerequisite(s): ART 295G, ART 296G, ART 297 and one 300 level art history course and consent of instructor.
ART 480. Printmaking Workshop 3-6 cr.
Problems in printmaking. May be repeated for a maximum of 15 credits. Prerequisite(s): ART 380.
ART 485. Metals Workshop 3-6 cr.
Advanced individual problems. Prerequisite: 6 credits of ART 385. May be repeated for a maximum of 15 credits.
ART 490. Museum Conservation Internship 3-6 cr.
The goal of this internship is to provide a student with a practical learning experience in museum collection conservation so that they can relate their experience to what they learn in the classroom about preventive conservation techniques and policies. It will provide the student an opportunity to learn skills and knowledge needed in working with museum collections. Tasks and projects will be assigned by the instructor. Consent of instructor required.
ART 494. Special Topics in Studio 3 cr.
Specific subjects and credits to be announced in the Schedule of Classes. No more than 9 credits toward a degree.
ART 495. Undergraduate Studio Thesis 3 cr.
Special research and independent study leading to undergraduate thesis exhibition. Prerequisite: consent of instructor. Restricted to majors. Course may not be audited.
ART 496. Fundamentals of Studio Management 1 cr.
Advanced studio course designed to introduce students to the fundamentals of studio management. Includes training in proper tools use and maintenance; safety procedures; and practical experience with studio oversight. Concurrent registration in advanced level studio course of the same media area required. Prerequisite: consent of instructor. May be repeated for a maximum of 3 credits. Restricted to majors. Graded S/U.
ART 497. Readings in Art History 3 cr.
In-depth study of art historical writing. May be taken up to 12 credits. Consent of instructor required. Prerequisite(s): ART 295G, ART 296G, ART 297 and one 300 level art history course.
ART 499. Problems in Studio 3-6 cr.
Individual study in specialized studio areas not covered by other advanced courses. Prerequisite: consent of instructor. May be repeated for a maximum of 12 credits.
ART 500. Special Topics in Art History Advanced 3 cr.
Specific subjects to be announced in the Schedule of Classes. Prerequisite: graduate status. May be repeated for a maximum of 12 credits.
ART 501. Museum Conservation Techniques I 3 cr. (3P)
Examines the philosophy of museum conservation of works of art in all media and in all contexts. Includes discussions of the theory of conservation as well as student laboratory projects involving testing and conservation objects. Enrollment limited to 5. First of three consecutive courses. Restricted to majors. Same as ART 401 with additional or differentiated assignments for graduate students.
ART 502. Museum Conservation Techniques II 3 cr. (2+3P)
Museum Conservation of art work at the graduate level. Examines the philosophy of museum conservation of works of art in all media and in all contexts. Includes discussions of the theory of conservation as well as student laboratory projects involving testing and conservation of objects. Enrollment limited to five. Second of three consecutive courses. (This new elective course meets additional interest area.) Prerequisite: ART 501 and consent of instructor.
ART 503. Preventive Conservation/Collections Care 3 cr.
Museum conservation of art work at the graduate level. Taught with Art 403 with differentiated assignments for graduate students.
ART 504. The Classical Style in the Western Tradition 3 cr.
Analysis of the emergence of Greco-Roman style in the Ancient world and its interpretation and reception in the Western European art tradition up to the contemporary period; taught with ART 302. Consent of instructor required.
ART 505. Medieval Art 3 cr.
History of painting, stained glass, sculpture, architecture and manuscript illumination in Europe from the Early Christian period to the end of the Gothic period; taught with ART 305. Consent of instructor required. Prerequisite(s): ART 295G; Graduate Standing.
ART 506. Medieval Manuscript Illumination 3 cr.
History of manuscript production and illumination in Western Europe from the Early Christian period to the middle of the 16th century; taught with ART 306. Consent of instructor required. Prerequisite(s): ART 295 and ART 305 or ART 505.
ART 510. Advanced Native American Art 3 cr.
Cross-cultural introduction to art of the prehistoric and historic native people of the North, Central, and South Americas. The artistic expression and the function of art considered in diverse cultural and environmental contexts. Prerequisite: graduate standing.
ART 511. Art of China 3 cr.
Survey of the art of China from the Pre-historic period to modern day; taught with ART 311. Prerequisite(s): Graduate Standing.
ART 520. Art and Architecture in Pre-Columbian Mesoamerica 3 cr.
Analysis of the art and culture of the Mesoamerican peoples before the arrival of Columbus in the New World. Includes an in-depth formal and historical analysis of architecture, sculpture, painting, pottery and metal works of Mixtec, Toltec, the Aztec, Maya, and other cultures and civilizations. Prerequisite: graduate standing.
ART 521. Pre-Columbian Art and Architecture of the Andes 3 cr.
Examines the arts and history of pre-Columbian Andean cultures in a cultural context. Analysis of their architecture, sculpture, pottery, jewelry, textiles, and featherwork. Prerequisite: graduate standing.
ART 523. Italian Renaissance Art 3 cr.
History of painting, sculpture and architecture in Italy from the 14th century to the end of the 16th century; taught with ART 323. Consent of instructor required. Prerequisite(s): Graduate standing.
ART 525. Northern Renaissance Art 3 cr.
History of painting, manuscript illumination and graphics in Northern Europe from the late 14th century to the mid-16th century; taught with ART 325. Consent of instructor required. Prerequisite(s): ART 295G, ART 296G and Graduate standing.
ART 528. Art and Architecture in Northern Europe 3 cr.
Architecture, painting, and sculpture in Flanders, Holland, France, England, and Germany as indigenous developments and as reflections of the Italian Baroque. Prerequisite: graduate standing.
ART 529. Survey of Western Architecture 3 cr.
Survey of history of Western architecture from prehistoric time to the present. Prerequisite(s): Graduate standing.
ART 530. Modern Architecture 3 cr.
Study of the architecture of the later eighteenth, nineteenth and twentieth centuries in the context of technological, social and stylistic changes. Focus on the works of Louis Sullivan, Frank Lloyd Wright, and European architects of the International Style, and the current reaction. Prerequisite: graduate standing.
ART 533. Baroque Art and Architecture in Italy, Spain, and Hispanic Latin America 3 cr.
Concentration on Italian and Spanish Baroque architecture, painting, and sculpture, as well as the art and architecture of Spanish vice-royalties of the Americas. Prerequisite: graduate standing.
ART 536. The African American in Art 3 cr.
Traces the inclusion of African American subjects and producers of art in the U.S. from the nation s beginnings to the present. Slavery, civil rights, and racial pride are discussed as academic and avant-garde traditions in African American art. Fulfill r Prerequisite(s): ART 297 or consent of instructor. Graduate standing.
ART 537. American Art to 1900 3 cr.
Covers the history of painting, sculpture, architecture, and other arts in the United States from the colonial period to 1900. Prerequisite: graduate standing.
ART 538. Late Eighteenth- and Nineteenth-Century European Art 3 cr.
History of painting, sculpture, architecture, and other arts created in Europe from 1789 to 1900. Prerequisite: graduate standing.
ART 539. Advanced History of Photography 3 cr.
Course studies history, theory and use of photographic practices in art, especially from formal introduction of the process in 1839 to the present. Prerequisite(s): ART 295G, ART 296G, and ART 297; Graduate standing.
ART 542. Twentieth-Century Art I, 1900-1945 3 cr.
History of painting, sculpture, and other arts in Europe, the United States, and elsewhere from 1900 to 1945. Prerequisite: graduate standing.
ART 543. Twentieth-Century Art II, 1945-Present 3 cr.
History of painting, sculpture, and other arts in Europe, the United States, and elsewhere from 1945 to the present. Comprehensive research paper required. Prerequisite: graduate standing.
ART 544. Art and Life in Renaissance Italy 3 cr.
Examines how Italian Renaissance textual and visual culture offered Europe new ways of seeing and portraying itself, 1350-1550. Topics include: Florence, Venice, Rome, Leonardo, Michelangelo, Titian, humanism, the Medici, and republican and courtly culture. Prerequisites: ART 295, 296, 297. Same as HIST 542.
ART 549. Advance Figure Drawing 3 cr. (2+4P)
Advanced figure drawing class with emphasis on developing technical and conceptual skills. Prerequisite: ART 449
ART 550. Drawing Workshop 3 cr.
A critique class based on drawing done outside of class. Emphasis on development of technical and conceptual skills. Restricted to graduate art students. May be repeated up to 27 credits.
ART 555. Graphic Design 3 cr.
May be repeated up to 27 credits.
ART 560. Painting Workshop 3-9 cr.
Advanced work with painting skills. Emphasis on critical analysis and development of body of work. Restricted to graduate art students. May be repeated up to 27 credits.
ART 565. Sculpture Media 3-9 cr.
May be repeated up to 27 credits.
ART 566. Digital Photography, Image Capture and Output 3 cr. (2+4P)
Introduction to digital workflow in photography. Topics include digital camera operation, RAW file processing, scanning, color management and printing. Course will emphasize concepts of ideation and thematic coherence. May be repeated up to 6 credits.
ART 568. Advanced Large Format Photography and Advanced Printing 3 cr.
Introduction to the 4x5 view camera, advanced printing techniques, zone system and hybrid darkroom/digital practice. Emphasis on development of advanced skills in technical process, ideation, content generation and critical inquiry. Consent of instructor required. Prerequisite(s): ART 270, ART 271, ART 274.
ART 569. The Constructed Image 3 cr.
Covers advanced work with manipulation of conventional photographic materials and issues of post visualization. Emphasis on creation of an extended body of work. Prerequisite: consent of instructor. Restricted to majors.
ART 570. Advanced Introduction to Photography 3-9 cr.
Introduction to photography with digital cameras. Basic camera operation, picture composition, image processing and digital workflow. Image culture and the role of the still, lens-made image in contemporary society. Students must come equipped with an appropriate laptop computer, software and digital camera (consult with instructor). Consent of instructor required. Prerequisite(s): ART 270.
ART 571. Advanced Introduction to Film and Darkroom 3 cr.
Introduction to silver based photographic materials ? film development, enlargement printing and darkroom work. Students will work with a range of cameras including: medium format, toy and pinhole. Emphasis on understanding the syntax of silver halide photographic materials. Development of conceptual vocabulary and the creation of images with thematic unity. May be repeated for a maximum of 6 credits. Consent of instructor required. Prerequisite(s): ART 271.
ART 573. Non-Silver Photographic Processes 3 cr.
Advanced work with historic photographic processes. Emphasis on creation of an extended body of work. Taught with ART 373. Consent of instructor required. Prerequisite(s): ART 270, ART 271, ART 274. Restricted to ART majors.
ART 575. Ceramic Arts 3-9 cr.
May be repeated up to 27 credits.
ART 576. Museum/Gallery Research Internship 1-9 cr.
Research internship in museum or gallery. Requirements determined by instructor in cooperation with supervising museum/gallery professional. For art history credit. Prerequisite: graduate standing. May be repeated for a maximum of 9 credits.
ART 577. Independent Research Problems in Art History 1-9 cr.
Advanced research on special problems to be conducted under supervision of art history faculty. May be repeated for a maximum of 9 credits. Consent of instructor required. Prerequisite(s): Graduate standing.
ART 578. Seminar: Selected Topics in Art History 3 cr.
Reading, research, and discussion of advanced problems. Prerequisite: graduate standing. May be repeated for a maximum of 9 credits.
ART 579. Graduate Seminar: Art Theory, Criticism, Historiography 3 cr.
Theories and methodologies in art history and art criticism. Prerequisite: graduate standing.
ART 580. Printmaking Workshop 3-6 cr.
May be repeated for a maximum of 33 credits. Prerequisite(s): Graduate standing.
ART 582. Advanced Digital Capture and Output 3-9 cr.
Advanced digital workflow, scanning, image processing software, digital printing, color management. Advanced digital printing skills. Emphasis on understanding the syntax of digital photographic processes. Development of conceptual vocabulary and the creation of images with thematic unity. Consent of instructor required. Restricted to ART majors.
ART 583. Advanced Studio to Photograph 3 cr.
Studio photography and lighting technique. Advanced exploration of formal methods, visual narrative, staged imagery and location work. Emphasis on independent projects and development of thematic unity. Reading and critique.
ART 585. Metals and Jewelry Design 3-9 cr.
May be repeated up to 27 credits.
ART 589. Visual Culture of the 1950s 3 cr.
Focuses on major cultural trends and historical events in 1950s America. Offers analysis of art, films, and pop culture phenomena of the period. Fulfill all requirements of ART 389 plus graduate-level research. Prerequisite(s): Either ART 297, ART 342, or consent of instructor. Graduate standing.
ART 590. Visual Culture of the 1960s 3 cr.
Focuses on major cultural trends and historical events in 1960s America. Offers analysis of art, films, and pop culture phenomena of the period. Fulfill all requirements of ART 390 plus graduate-level research. Prerequisite(s): Either ART 297, ART 343, or consent of instructor. Graduate standing.
ART 591. Visual Culture of the 1970s 3 cr.
Focuses on major cultural trends and historical events in 1970s America. Offers analysis of art, films, and pop culture phenomena of the period. Fulfill all requirements of ART 391 plus graduate-level research. Prerequisite(s): Either ART 297, ART 343, or consent of instructor. Graduate standing.
ART 592. Visual Culture of the 1980s 3 cr.
Focuses on major cultural trends and historical events in 1980s America. Offers analysis of art, films, and pop culture phenomena of the period. Fulfill all requirements of ART 392 plus graduate-level research. Prerequisite(s): Either ART 297, ART 343, or consent of instructor. Graduate standing.
ART 593. History of Collage 3 cr.
Examines theory and practice of collage, assembly, and montage in 2 and 3-dimensional, 20th century art. Emphasis on the art of the Schwitters, Picasso, Cornell, Hoch, Ernst, Ryan, Rauschenberg, and Schapiro. Fulfill all requirements of ART 393 plus graduate-level research. Prerequisite(s): Either ART 297, ART 342, ART 343, or consent of instructor.
ART 595. Problems in Studio 3-6 cr.
Individualized study in specialized studio areas not covered by other advanced courses. May be repeated for a maximum of 12 credits. Consent of instructor required.
ART 596. Graduate Studio Seminar 3 cr.
Explores issues in contemporary art making and their relationship to personal work. Presentation of research in oral, visual, and written form. Prerequisite: graduate standing. May be repeated for a maximum of 6 credits. Restricted to majors.
ART 597. Readings in Art History 3 cr.
In-depth study of historical writing about art. Prerequisite: graduate standing. May be repeated for a maximum of 9 credits.
ART 598. Studio Thesis 1-88 cr.
Special research in studio, leading to an exhibition and written thesis statement.
ART 599. Art History Thesis 0-88 cr.
Art history master's thesis research. May be repeated for unlimited credit. Restricted to masters level art history students. Consent of instructor required. Prerequisite(s): Graduate standing.